The Station: Part II

Photos by Noelle

The photography meetup instructions were to be there no later than 6:30am on that Sunday morning. I probably should’ve left everyone a note “Come anytime between 6:30am and 7:30am, because the Zephyr is never on time”, but why spoil the anticipation. As it turned out, she presented herself, full of hydraulics and steam, at 7:45. As everyone grumbled about the delay I quietly sipped my coffee and admired her individuality. “Arrive whenever you want, honey. Nobody’s going anywhere until you get here.”

I have avoided a number of the meetups because I don’t have a camera. Just an iPhone. I have found all the lenses and tripods daunting in this group. No one has ever said a word to me or done anything to make me feel awkward, this is my own shit. I know it doesn’t matter on an intellectual level, but emotionally, I’m thirteen years old again getting beat up at the bus stop for not fitting in with the other kids. Cheap clothes, pudgy, dirty finger nails, greasy hair, nothing remotely fashionable, current or hip. I have probably never fit in, at any point in my life, but whenever I lack confidence I’m that poor, little girl, scrambling not to be noticed. Not that an iPhone isn’t hip or sophisticated. I’ve got a six, but in my mind I often feel this oddness of being the only one there with a phone and no paraphernalia.

Photography aficionados are a hearty and welcoming bunch. They love trading information and working their craft. Everyone is going to great lengths to set up their equipment and find the exact right angle and I’m just looking for a pole to lean against. People are trading tips and current Lightroom techniques and I haven’t a clue what any of it means. I look at my finger nails. They’re clean.

It’s weird the stuff we hold onto. The knee jerk reactions that are so deeply hardwired they feel like they belong to someone else. A few weeks before when the event was posted I sat and thought about it for a good long while. I’ve photographed this train station before, last summer. Click the link below if you’d like to see that series. I have an artistic eye that exceeds, more often than not, my lack of better equipment and software. It seemed silly to still be sitting, hunched down, on the school bus hoping no one would notice me. So I clicked the RSVP ‘yes’ I would go.

Everything changes with one genuinely, heartfelt choice that invites in newness. Histories can change on such small things. Just a click and my younger self is redeemed, as easy as walking through a station door. https://noellevignola.wordpress.com/2014/09/08/night-train/?preview=true&preview_id=1598&preview_nonce=90bbf66289&post_format=standard

Photos by Noelle

The Station: Part I

Photos by Noelle

It’s a huge love affair. The feeling of train stations. Newer ones aren’t as sexy, but that pulse of people moving places and massive engines engaged around me remains. There is a wondrous sense of travel, time and motion in train stations, even in the hubbub of a morning commute, that never feels as strained as that in an airport. Time becomes the maleable element. There’s little fanfare when the California Zephyr is late. In fact, it might shock everyone if her silvery self arrived on time. Where else do we so willing accept that there is a rhythm we can’t effect and casually grab some coffee and take a seat? Few places, whether within us or external to us, are like this in our lives. We are all in a tremendous hurry. To where? Who knows? Most of us can tick off places and times on some schedule, but could hardly tell you what cracks a whip, so persistently in our minds, to make us move faster.

In the United States the name of all the main train stations remains Union Station. I find a cozy comfort in this, too. A familiarity that fills you the moment you walk through their doors. They are timeless places hawking to eras long since past, and yet, here I am like thousands of others partaking of the stone and glass. Thousands long dead and vanished in the dust that swirls upon the early morning tracks invite me in. Train stations are, for me, time machines for touching on the life force of dreamers.

Photos by Noelle

Three

Photo by Noelle

Photo by Noelle

I have a fascination with the number three. I see it everywhere or find myself grouping things in threes. In numerology “….the number 3 resonates with the energies of optimism and joy, inspiration and creativity, speech and communication, good taste, imagination and intelligence, sociability and society, friendliness, kindness and compassion. Number 3 also relates to art, humour, energy, growth, expansion and the principles of increase, spontaneity, broad-minded thinking, synthesis, triad, heaven-human-earth, past-present-future, thought-word-action, demonstrates love through creative imagination…”
(Taken from http://numerology-thenumbersandtheirmeanings.blogspot.com/2011/02/number-3.html)

image Photo by Noelle

All sounds so lovely and there does seem to be something to this. Even in my art work there are patterns of three. I can’t seem to find a balance with a piece without it. The trinity often comes to mind, and in the bible it is the second most referenced number and its sacredness is second only to the number one. One being the totality of God. In Buddhism it is one of the pillar numbers and has far more references than any other. The three refuges: Buddha, Dharma and Sangha. The triple Gem and the three worlds or realms of existence: desire, form and formless. The three bodies of the Buddhas: truth, bliss and emanation. The three pillars of Zen, and so on.
(Taken from: http://www.urbandharma.org/udharma7/numbers.html)

In Islamic traditions, Allah was said to be odd, and thus, loved odd numbers. The first number to indicate the multitude is three and therefore was considered sacred. “The Golden Ratio” in art is a segmentation of three that is natural to the eye’s movement and means of rest. Da Vinci used it extensively but then, interestingly enough, it was called “The Divine Proportion”. I can’t help but feel we all have some pattern of three within us, as certainly mind/body/spirit lives in us daily.

Photo by Noelle

Photo by Noelle

These images of an immersed dock are beautiful unto themselves, but the three posts provide an odd sort of peace I can hardly explain. I believe spirit and the universe have a universal language that is found in math and numbers. I don’t really understand it, to be honest, I just know in these images harmony resonates deeply for me. Three gives me a sense of balance, as if my inner world sat on a tripod.

Story in Mud IV


Photos by Noelle

I spend an inordinate amount of time staring at mud. My love affair often draws the attention of the neighbors. I squat down over huge mudslides, a mud vulture surveying for something to eat. I love the way it swirls and forms after a storm. New channels spring up where none had been before, each with a story. The mica glints in the sunlight flirting with me and only furthering a feeling of dark, gem-like sculptures.


Photos by Noelle

Life unfolded on the planet in these rivers of mud. Plant life germinated from seeds carried by water and mud far upstream. It picks up everything in its path and absorbs whatever it can. Thus, the same streams of mud can appear with different colors and hues, depending on where in the river you find them. As with water, only slower, it moves down paths of least resistance allowing whatever is to come, to come. There seems a spiritual lesson in this for me.


Photos by

In Jewish folklore the golem was often an evil creature made of mud. In recent times the most famous might’ve been the golem in the X-Files episode on the creepiness of HOA communities. Very funny, but I can’t imagine evil in mud. It feels the most life giving of substances with changing patterns, new tributaries or old ones made anew and in that, I find solace and hope. I can transform, change, become something else, travel new paths, with just a little rain. So I dance my rain dance and wave at the neighbors. They cannot help their ignorance of mud. Few people are schooled in this magic. I may, in fact, be the last one.

image
Photo by Noelle

Algae II

Why do we all try to be the same? Wear the same clothes, drive the same cars, go to the same movies. Why do we work so hard to erase our uniqueness when it is clear that nature thrives on diversity. Each moment she is someone else entirely.

If you have time, click on each photo and tour the goo.

Between Two Storms

Apex: Photo by Noelle

Apex: Photo by Noelle

I walked between two storms today. Clouds built menacing and bleak to the north, while another storm front raged gray and wild to the south. I wished a walk in these beautiful spring temps, but what to do?

I made a decision.

I am master and creator of my Universe and today I command the sky, and too, I shall command the rain. I will rule the earth. The heavens may fall, but on my east to west trail, nothing will fall upon my head. No dew will touch my skin. No puddle dampen my shoe. Lightening will heal to my call and thunder obey my leash. I am my own weather front. I am an ionic gulf stream that holds all violence at bay and forges a dry path. I am Goddess Divine and this moment my kingdom.

Be still!

And so it was….

Off the Deck: Photo by Noelle

The Platte: Photo by Noelle

image Off my Deck: Photo by Noelle

Death in the Wood

Beetles were still picking at the bones. I came upon it returning from, oddly enough, a dead end trail I’d taken. It was maybe a hundred feet from a service road and maybe two hundred from the interstate. It looked to be a coyote. It was such an odd location I suspected a trooper had pulled it off the interstate and tossed it here to decay. Fur was sinking into the earth and the bones had been partially scattered by scavengers.

I stared at it. One day I will seep into the earth, I thought. I sat on a nearby log and thought it a good omen to consider death for a bit. There are many meditations for pondering death, one in particular, in which you allow yourself to see your body decaying into the earth, like this coyote. So I sat and imagined I was sinking into the earth with him. It wasn’t unpleasant. The day was warm, sunny and there was a breeze under the tree. After a time, I found his bones comforting, and with that the idea of mine vanishing into the wind, too. The whole eco-system benefitted from this death. Tree roots to small weeds grew from the carcass. Green iridescent beetles thrived in the marrow and took what they ingested back into the dirt. I’d have photographed him from a lying position, but for me there’s a line in my creative hunger at lying in a bed of beetles. Still the sun would catch the red of a ladybug or the green of a scarab taking off and I felt not the least sorrow or loss. One day I will be part of all of this beauty.

After a time, I felt less and less as if my body was sitting there and more and more as if the spirit of the coyote had taken a seat next to me. So we sat. My spirit and the spirit of the coyote and we watched the beetles take his body back into the earth. It was a lovely spring day.

For Steve and Juan. Lovely to chat about death….

Spring Cleaning

Photo Painting by Noelle

By accident, really
I was pulling out something else
Didn’t realize bits of an older version of me
Were just stuck back there in my brain attic, waiting to fall out

I was looking at one thing, but got another
Imagine my surprise to find that squirrely me
Just gnawing away at the old pine rafters, full of pitch and tar
I was thinking it was all cleaned out, dead and gone, buried like the past

Alas, no
Such is not the case
It’s a damn shame seeing as my boots are new and white
Still, I have a decent broom, and more, a heart that knows it’s worthy

Spring cleaning
Sometimes it goes right into summer
Sometimes, you’ve been doing nothing but bullshitting yourself in top soil
I’ve been messing around with nothing but fat tar-babies that suck you in, before spitting you out

By the Lake

From adirondackalmanack.com

From adirondackalmanack.com


The crickets were so loud, I was certain, the boogie man could be right upon me before I’d know it. Still, the warmth and brightness of the campfire and my brother close by, made it hard to worry. I couldn’t camp out with all the other kids by the lake unless one of my older brother’s was with me. Mark and Eric were too much older and Chad’s friends too different, my brother Adam, too young, so usually it was my brother Cort. My mother never cut the grass, much to our neighbor’s dismay, so our lawn was the best on the lake to camp on. A rural vibe and more cushion for our beds. Even as I write this, I can smell the tallgrass, hyssop and selfheal that grew there. If I focus but a little, the head of a buttercup can be felt at the tip of my finger.

By nightfall, though, it was all warm glow and the smell of roasting marshmallows. I hardly remember what we spoke about all those summer nights. Yes, some ghost stories, but mostly we just goofed off. We had an old transister radio and in the early 70’s Three Dog Night’s, Shambala was hugely popular. I’m pretty sure I didn’t sing any better then, than now, but I certainly sang with heart. You could see the Milky Way then, as the world hadn’t turned on all its lights. I remember the first time I saw a satellite crossing the midnight sky. I didn’t know what it was and for hours we talked about space aliens and invasions. Someone kept singing the theme song to the Jetsons.

Our house was up on a hill and a wood separated it from the lake. My mother would hoot down to us to check in on how we were doing. Again, much to the chagrin of our neighbors who preferred well-manicured lawns and quiet, cordial discussion, sans hooting. She grew up on a farm. It was as natural to her as breathing and we could be a half mile off and know that sound. It was a comforting sound that brought a smile to your face. She never hooted like that out of anger. She only called this way when she was looking for you out of love.

I was often the only girl by the fire, thus the reason for my brother’s chaperone. The boys were honorable though. When I had to go to the bathroom they all kept their distance. They knew I was afraid of the dark and wouldn’t wonder far at all into the wood. I don’t remember wearing bug repellent, and yet, even by the lake I don’t remember being bit to death by mosquitos. Or it’s a testament to how easily we actually do forget momentary pain. Or maybe it was all the bats that flew throughout the night above our heads or the big sunnies, leaping into the air to catch them from the lake. I’m sure the frogs that sang to each other played their part.

When I feel empty or alone I need only travel a short distance in my mind to realize I am neither. I am so full of life and bounty it is a wonder I have any more room for anything new. Life inside me teems with children catching fireflies, boys wrestling down the side of a hill, the smell of fresh lake fish roasting in a pit, or a comic book shared by firelight. A billion lights could be turned on across the planet and still the iridescent beauty of a starry night lives on in me. I have lost nothing. I am a hoarder of beauty and innocence.

Dedicated to my friend, John Wilder, whose photograph of his east Texas cabin triggered a thousand memories of life within me. Thank you, my friend, for the unintended sojourn.

Rendering of Fat

Painting by Gregory Summers

Painting by Gregory Summers


The first stages were huge rents and gashes in my inner landscape. Hurricanes that tore away known shores and earthquakes that ripped open the well-tended lawns and careful cities I’d built to hold in, both what worked and what didn’t. Just in nature where such events alter the courses of rivers, so too, they altered the course of my deepest waters. Changing direction caused dams to crack open and field breaks to give way, no more than twigs. Tributaries formed for miles filled with mud, fertile and rich that would be ready for life. But in the beginning I only saw snapped off moorings, crushed homes, barren lakes and sandy shoals with little more of life than minnows.

Hundreds of suns, snow and autumn leaves have passed hence. New sprouts have broken through, green and lush. Like tree buds hungry for life, I turn toward the sun. It warms and stirs long forgotten pools of energy, but it’s impact has nurtured more change, subtler and more curious than the first. As shorelines ravaged by storms reshape and build new dunes and forests spring up on land once scorched and burned, I am someone else strange and new, yet never wholly stable. I am melting, it would seem, as rendered fat, strained for impurities without seeking perfection. An alchemical mix of old stories retold, cleaned of sorrow and guilt. Still more floats to the surface to be skimmed off, detritus of costumes torched and gone. Each round less to find and the oil grows more golden and clear. There is a tension, but less struggle. Resistance half hearted that dissolves more quickly to surrender. Each day more leaves me with little fanfare or grief. Even as I weep comes joy and welcomed release. I ponder how easily I have come to the ocean, nearly naked and with so little in my hands. It seems odd how much we carry to define who we are, when what we are can never be defined.