Images from a Train: Omaha

We arrived at daybreak into Omaha. The station is under construction and there are pieces of its past and future, arising together, before the platform. Sleep came late, but the sun was welcome. Coffee wafted down the corridor from the dining car and few were up yet. Feet and arms littered the aisles as I slipped from the car to the fresh air of the platform. The stone and masonry were still wet from the night’s dew and the conductor pulled tight his coat. Passengers lit up for this brief stop and the long rays of the sun caught the smoke rising, as I turned to walk the station.

As I look at the images now, I wonder at all I did not photograph. Pieces of time and movement that still drift upon my mind, as if the cars were still moving in my head.

Images from a Train: Motion

In the distortions and flashes I see my image. The bridge of my nose another geometry in a flashing landscape. Coal has already passed on the previous cars – strapped lumber, too. The rails are one of the few places in the country where a passenger goes last. Passenger trains stop for all the cargo that moves. Milk and oil tankers, flatbeds of slate and shale and bales of grasses for cattle lands. Graffiti is a color smear against the gun metal.

My reflection comes and goes between the cars and I realize this is true of all of me. I am what exists between each thought, as life exists, flashing between each car.

Little Girl Swirling

I attended my cousin Brent’s wedding in Chicago. This was the flower girl. I never got her name. She danced and twirled loving the feel of her dress and the power of her boots. When you are five everything goes together, because it’s never about the appearance, as how good you feel when you see yourself in it. So if you feel good about the dress and you feel good about the boots, well then, they must go together.

Boys, I’m sure, have their own thing, but for little girls it’s all about the dress. When I was her age I had a chocolate brown satin and velvet dress for special occasions. I wore it with black, patten leather Mary Janes. The skirt twirled deliciously when I spun. I’d stand in my parent’s bedroom where there was a full length mirror and dance and pose at myself. I wonder sometimes how it is we lose pleasure in our own beauty. As children it comes so naturally, but then as we age, we seem to forget. Maybe it’s the dress. Lose the swirling skirt and you lose your way. You lose the ability to be carefree and dance about for no other reason than it just feels good.

I watched her for sometime. It’s hard to turn away from that sort of magic.

Images from a Train: Silos

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Silos of the Heartland: Photos by Noelle

Silos of the Heartland: Photos by Noelle

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Worlds great and small rise and decay along the tracks. Underbellies of mediocre villages and hard edges of factories share the same trail. Worn and haggard becomes beautiful, in a countryside of weathered barns, while never enticing anyone closer. Haunting are silos abandoned while compelling to even the dullest mind to look more closely.

Heather and golden rod litter the edges of hundreds of fields, rich in the green of cornstalks and soy. Yellow are the elder stalks from earlier harvests ready for the straw-men of autumn, while bales for the harvested fields already line the lanes. The clacking of the train cars shifts as the train makes its turn heading north past the width of the Great Mississippi. Muddy spillage pours from drains as the floods of summer still fill its low banks. Barges and small crafts pass beneath the train bridge on their way to the deltas of Louisiana.

Ancient seems this story of fields and metal, floods and drought. Harvests come in that stave off the bankers and pays for the baler before summer’s out. Corn packs the pickups and soy to the moored barges to the south. An endless cycle of life and movement from field to mouth.

Night Train

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The moonlight helps delineate the night earth from the night sky, as the train passes through the countryside. Sometimes Black-eyed Susans and bramble flicker against the thick glass, calling of the prairie unseen. Palsied shapes of trees form along the dusky horizon, seen by little more than the absence of stars. Closer, lone farm lights appear out of the inkiness, never casting much light into the thicker shadow, before they, too, are taken by the train’s flight. I listen to the horn blow as it comes to crossings or passes through small Midwestern towns. Rocking, rocking, a steady rocking, should put me to sleep, but my mind has yet to find the rhythm of slumber. Moths and night bugs expanding and contracting around a street light still lingers in my sight from the last stop. A single liquor store to accompany the jaundiced light on a dirt road. A set of stairs, but no platform to climb into the silver car and no crossing gates or ringing bells apparent. Only tail lights of a pickup truck disappearing into a field and our only passenger, a wisp of a girl with spindly legs vanishing off the stair into the car ahead. Oddly, it is the tail lights disappearing into what looked a cornfield and not the girl that still haunts me.

Faces loom in my cabin, sleeping or peering into devices, but no voice is heard down the aisles. We are together, all of us, and apart. I turn to watch the ghostly apparitions of silos, grain elevators and roadside churches come and go in the darkness. They, like my thoughts, are but a moment on a broader landscape horribly vague at this hour. A skunk or opossum slips beneath an oil tanker in a passing lot, but we are past it before I can be sure. Through the glass I see an eighteen wheeler full of cattle and wonder if it heads for the slaughter house, as exhaustion makes the mind melancholy. Passengers may sleep, but the moon slips between the clouds, keeping me company, as if it too, traveled the same tracks. I am comforted and left lonely on this midnight ride, Chicago hours off. So I write in the dim cabin light and listen to the horn blow, with miles of track to go.

Soar

Gulls at Johnston Lake: Photo by Noelle

Gulls at Johnston Lake: Photo by Noelle

What if it is all to get us to let go of the cliff ledge? What if we’re all being shaken off our belief we must have security, predictability and knowledge? Every hardship a challenge to the internal structures we create to define who we are, how everything works and what is true and real?

What if all of this is for our awakening? To encourage our understanding of freedom, rather than a lesson on imprisonment. To forget everything we think we know and let go of the ledge. Free fall and trust we will fly. What if it’s the reason we chose to live? We wanted every single moment to happen, because our spirit already knew it could soar.

True Power

Sunset storm over the Rockies: Photos by Noelle

Sunset storm over the Rockies: Photos by Noelle

“If you are distressed by anything external, the pain is not due to the thing itself, but to your estimate of it; and this you have the power to revoke at any moment.” Marcus Aurelius

Sunset storm over the Rockies: Photos by Noelle

Sunset storm over the Rockies: Photos by Noelle

Intuition

Sunset on Mt. Falcon: Photo by Noelle

Sunset on Mt. Falcon: Photo by Noelle

“What I am actually saying is that we need to be willing to let our intuition guide us, and then be willing to follow that guidance directly and fearlessly.” Shakti Gawain

Play

Algae at Johnston Lake: Photo by Noelle

Algae at Johnston Lake: Photo by Noelle

“The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” – Carl Jung

Story of Mud II

Mud at Dutch Creek Farm: Photo by Noelle

Mud at Dutch Creek Farm: Photo by Noelle

My love of mud continues. I think of it much like water. It begins slick and wet and molding into anything it touches. Later, it dries into cracked patterns and curious shapes, all affected by light and time of day. Something in my spirit finds this immensely appealing.