There is no doubt I love to walk summer trails, but there is something about the wood in fall and winter that stirs me deeply. The shadow and light play differently at the longer light angles. There is a feeling, too, of all that once was and what will be hanging on each branch like flowering ghosts.
I waited in the early morning darkness
Breath billowing out in long streams
Finger tips wrapped tight in fisted hands
Dug deep in pockets
The shift in light was so subtle
Suddenly I could see the higher branches
Two crows peered at me as though I intruded
Naked feathers, naked sight
Then it licked the tops in fire and light
My heart beat faster than the shutter
The moment was brief to catch with camera
Yet as quickly as I began, my hand was stayed
Sunrise is a communion I often forget
A flicker of awakening to the earth and the mind
In activity I am artist but a bit asleep
In stillness I awaken as part of the art.
When I was younger I was easily angered by our species neglect and destruction of the earth and nature. It was a source of political debate and protest. Now a deep sadness comes, not merely for the bits of nature damaged or lost, but for humanity’s spirit that is damaged and lost, as well.
Passing through the loading areas of train yards is a bit like passing through a graveyard. Stories that once were, now wrappers blowing between empty coal cars. I wonder who comes to work in these lonely spots? Who sponges the graffiti and loads the tankers? Nothing moves upon the gaveled lots and so much seems left in shadow.
We all travel in circles of others. People who are connected to us by locale, family, religion, and work. When I look out the window of the train I see many lives I have no association with. Hands covered in train grease and punch clocks that mark their hours. A hundred years ago we lived in towns where we knew everyone and what most people did. I look out at these yards of old train cars and filling stations and wonder are there really ghosts moving between the rails? Is there nothing in the shadows or do I simply lack the eyes to see?
The sunset rolled in on long lines and parallel shafts of deepening orange. The clicking of the rails, with the steady rocking, left my limbs heavy in the seat. Tracters were rolling toward the barns outside my window and the swallows had taken up vigil on telephone lines. At day’s end even the birds know it is best to simply sit and witness.
We arrived at daybreak into Omaha. The station is under construction and there are pieces of its past and future, arising together, before the platform. Sleep came late, but the sun was welcome. Coffee wafted down the corridor from the dining car and few were up yet. Feet and arms littered the aisles as I slipped from the car to the fresh air of the platform. The stone and masonry were still wet from the night’s dew and the conductor pulled tight his coat. Passengers lit up for this brief stop and the long rays of the sun caught the smoke rising, as I turned to walk the station.
As I look at the images now, I wonder at all I did not photograph. Pieces of time and movement that still drift upon my mind, as if the cars were still moving in my head.
In the distortions and flashes I see my image. The bridge of my nose another geometry in a flashing landscape. Coal has already passed on the previous cars – strapped lumber, too. The rails are one of the few places in the country where a passenger goes last. Passenger trains stop for all the cargo that moves. Milk and oil tankers, flatbeds of slate and shale and bales of grasses for cattle lands. Graffiti is a color smear against the gun metal.
My reflection comes and goes between the cars and I realize this is true of all of me. I am what exists between each thought, as life exists, flashing between each car.
I attended my cousin Brent’s wedding in Chicago. This was the flower girl. I never got her name. She danced and twirled loving the feel of her dress and the power of her boots. When you are five everything goes together, because it’s never about the appearance, as how good you feel when you see yourself in it. So if you feel good about the dress and you feel good about the boots, well then, they must go together.
Boys, I’m sure, have their own thing, but for little girls it’s all about the dress. When I was her age I had a chocolate brown satin and velvet dress for special occasions. I wore it with black, patten leather Mary Janes. The skirt twirled deliciously when I spun. I’d stand in my parent’s bedroom where there was a full length mirror and dance and pose at myself. I wonder sometimes how it is we lose pleasure in our own beauty. As children it comes so naturally, but then as we age, we seem to forget. Maybe it’s the dress. Lose the swirling skirt and you lose your way. You lose the ability to be carefree and dance about for no other reason than it just feels good.
I watched her for sometime. It’s hard to turn away from that sort of magic.
Free Bing photos
Early, before the sun is up. Breakfast half eaten against the back drop of autos heading into the city. I hear them yelping between the motors in the nearby field. The night was cold for summer, giving rise for them to howl for autumn.
I am pressed and clean for the day ahead, but their barks call to my wildness beneath the suit. All these routines and order, economies, mortgages and regulations. I stand at the window and listen. My heart beats faster with the next call and I realize it is not order I am hungry for, but the feel of dirt and the grass beneath my feet. To run and howl with abandon with my kin.
Alas, a deep final breath at the sill, as I turn from the window, checking my coyote spirit as I head for the door.
"Nothing Exceeds Like Superfluous Jejunity "
Stories and Musings on Modern Life
Explorations in Authenticity by Michael Mark
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Auf einmal ist alles relativ
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